with response

World 87

in which clothes start to tell their owners the stories of their own production

in which lockdown seeds new human-nonhuman communities

in which hyperlocal production is coupled with a culture of virtual worlds

in which adults can own only 10 items of clothing at any time

in which people connect via unique signatures sewn into each others’ clothing

in which waged labour is abolished, creating a convivial, ludic society

in which a city is famous for its network of municipal clothes libraries

in which all textiles are used initially as curtains before being remade into clothes

in which a popular uprising leads to worldwide policies for clothing durability

in which secondhand-only editorial styling turns fashion upside down