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Author Archives: Amy Twigger Holroyd

World 65

in which consumers must spend time working in agricultural fibre production

Posted byAmy Twigger HolroydMarch 16, 2021March 16, 2021Posted inWorlds 1-100

World 64

in which uniform garments are issued; surface accessories express the self

Posted byAmy Twigger HolroydMarch 13, 2021October 8, 2021Posted inWorlds 1-100Tags:example

World 63

in which lockdown seeds new human-nonhuman communities

Posted byAmy Twigger HolroydMarch 13, 2021February 11, 2025Posted inWorlds 1-100Tags:Set 2, Spanish, with remix, with response

World 62

in which clothes are sold via Teletext, increasing garment literacy

Posted byAmy Twigger HolroydMarch 13, 2021June 4, 2023Posted inWorlds 1-100Tags:for Stage 2, with Enactment, with Exploration, with remix

World 61

in which increased hemp cultivation unexpectedly leads to gender-free fashion

Posted byAmy Twigger HolroydMarch 13, 2021March 13, 2021Posted inWorlds 1-100

World 60

in which fashion focuses on zero waste lifestyles, Maker skills and upcycling

Posted byAmy Twigger HolroydMarch 13, 2021Posted inWorlds 1-100

World 59

in which a local focus on textile waste transforms clothing practices

Posted byAmy Twigger HolroydMarch 13, 2021March 13, 2021Posted inWorlds 1-100

World 58

in which hyperlocal production is coupled with a culture of virtual worlds

Posted byAmy Twigger HolroydMarch 13, 2021February 13, 2026Posted inWorlds 1-100Tags:with remix, with response

World 57

in which a tailor-made clothing movement has spread from town to town

Posted byAmy Twigger HolroydMarch 13, 2021March 13, 2021Posted inWorlds 1-100

World 56

in which citizen oversight of scientific research leads to responsible polyester use

Posted byAmy Twigger HolroydMarch 13, 2021Posted inWorlds 1-100

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Fashion Fictions is run by Dr Amy Twigger Holroyd at Nottingham Trent University.

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