Amy Twigger Holroyd

World 45

in which all textiles are used initially as curtains before being remade into clothes

in which members of a niche movement personify a book for a year via their clothes

in which blue clothes, which cannot be sold, are traded at community hubs

in which mass production is rejected in favour of locally derived ‘base-lines’

in which usable elements of damaged garments are traded as spare parts

in which fabric making is located on and integrated with the body

in which a child-led uprising transforms industry and consumer practices

in which prehistoric humans used plants, rather than skins, to clothe the body

in which everyone on the planet is restricted to a capsule wardrobe

in which professional menders, like tattoo artists, help to tell stories